Northern Lights, a Christmas scrapkit

6 12 2012

This has been a busy year for the artists at PSP Tubes Stop and we have worked together in our last scrapkit of the year, let me introduce you to a lovely Holidays scrapkit with a mild and serene palette in lilac, lavender and blue.

Northern Lights scrapkit

Northern Lights scrapkit

This is a collaborative effort by Jenny Heidewald, Lynn Chua, Joanna Bromley, Lisa Cree and me :) This Scrapkit comes with 65 Objects, 23 frames, and 17 backgrounds. That is huge!!

With this, we say goodbye to a lovely year of working together and hard, and we will now take a little break to be with our families, but expect more for next year! The kits kept getting better as this year went by, so I expect a lot of great quality products soon to come!

Oh, and since you are at it, my joyful penguins were made specifically to fit this palette, so purchasing both the kit and the penguins tube would make for a delightful tag!

Joyful Penguins, tubed.





Embellished postcards for the seasons

4 12 2012

So, watermark on the middle of the image it is. *sigh!*

You can now order the Joyful Penguins postcard as is or hand embellished. Each embellished card is unique, not two are the same. Contact me if you are interested.





What is with the watermark?

19 11 2012

I remember being a young artist (not a young girl, mind you, but young as an artist; a newb) just getting started and had so much to learn! I would be so excited about finishing my pieces that I would not add a signature before uploading them. This was not a philosophical stance about art and accessibility and freedom, it truly was forgetfulness. Then, as I calmed down a bit and realized that people were still going to see my work if I uploaded five minutes later, I would remember to add a signature. I always felt that the artwork itself should not be covered, because art is to be admired, so I signed on a corner.

See? itty bitty signature in a corner, even the color was unobtrusive! At least I learned really early to upload at very low res and size!

Years later I also started to add a link to my webpage on another corner, because, you know, some people were showing the illustrations to their friends, and how nice! But then the illustration would get lost in the emails/webs and who  knew where to find the original artist? I held on to this non obtrusive way of providing information about me for a very long time.

This is what I maintained for a long time, webpage info in a corner, larger because I noticed that some people reducing the size of my images would make the font unreadable.

Until now. I about had it. Enough is enough, and when you realize that there is bad will from other people’s side you need to change your strategies.

See, the point is, no matter whoever tells you what, there is a law. It is called “copyright law” and it protects the original creator. Many countries, like USA, have signed the Bern Convention in which they commit themselves to protect the artist. No, it is not my obligation to register my work, it is not my obligation to mail it to myself, it is not even my obligation to sign it, nor to place big notices “this is protected by copyright laws” (by the way, it is “copyright” not copywrite”; it’s about rights, not writing). The artist owns the copyright to a piece as soon as it is created, be it a sketch or fully finished. And that belongs to the artist as long as the artist is alive and 75 years after his or her death, it belongs to the family, except if you sell the rights, which is a whole another issue. And that law states that other people cannot sell, or modify or redistribute the artwork without proper permission. Please, notice the *redistribution* idea under copyright laws.

My eyes!!!!
This, my friends, is one case that upsets me very much, I don’t even own the copyright of this piece, the rights have been contractually transferred to the clients that commissioned it.

As any law, it is your responsibility to know the law and follow it. “Oh, officer, this person did not carry a sign saying not to kill him, I was unaware that he was not to be killed” would not fly in court. I have seen in the last few months an alarming amount of people placing the blame on the artist: you should have signed, you should have watermarked, you should have said it was protected, it is art it is to be shared, don’t whine it’s publicity, your fault your fault your fault. Sadly, this is the kind of stuff me and other friends have been through over and again recently.

I used to think I was under the radar, until I noticed that mostly Pagan groups on social networking sites started to pick up my work. I guess all that activity I talked about recently worked. And my work is all over the place. Now, I am not a freak, I like people to share my work, I really enjoy seeing others appreciating and enjoying my work, and I don’t deem of thieves those who respect me and share. I would very much appreciate a line or two “Artwork by Constanza Ehrenhaus see her work here” and a link to my gallery, any of them. But the problem arises when all the information I put in the files is cropped. When I see artwork that has been cropped and has no name or link anymore and when asked politely to provide the artist’s information the person redistributing answers with a snarky “Oh, it is the artist’s responsibility to sign the art”. Believe me, my blood boils.
Again, when you redistribute my work, you are basically breaking the law. It does not bother me at all when you leave the work unchanged, I am a very friendly person and I actually like to see my work going around with my signature and website. What I do not appreciate is when all that is cropping this information away, then I take it as what it is, someone not respecting my intellectual property and my work and trying to erase all traces of how to track me as an artist… free publicity, eh? How are others supposed to know who drew the image?

The top image is the way I display it online. The middle one has been not only redistributed but modified (which is also illegal!) and the web address removed. The bottom one has been cropped just enough to eliminate the link and my name, which really upsets me.

So, now I do add a watermark across my work. Do I like it? No, really I do not like it at all, but if someone wants to remove that, they will have to put more work into it of what is worth to just re-share the work as is. I wish I did not have to do this, but unfortunately I find that is needed. Please, excuse this action, I am not happy about having to do it, and I am sure a lot of you find it aggravating too. But I’ve had enough of people being rude back at me when I politely ask them to credit my work.

So, watermark on the middle of the image it is. *sigh!*

So, what happens if I find my work being redistributed? For the most part nothing. If the work is unchanged and my information is still there, I smile and many times have left a comment as “I am glad you like my work!” If the information has been cropped or erased in any way I normally ask politely that information be provided, sometimes people find the image already modified online. What happens next depends on the reaction of the other person, it might be a “thank you for understanding” or filing a Cease and Desist if there is a bad interaction. And, oh! you will get a Cease and Desist automatically if I find my work in any form or shape related to demeaning comments or images to other groups, which has happened. I believe we all can coexist in harmony, and I am not about to have my art being linked to any kind of derogation toward anybody else.

The next step?





Joyful Penguins, Christmas card 2012

14 11 2012

This year, thank you to being part of the wonderful PSP Tube Stop team I am aware of the holidays before the happen. I am normally so busy and involved into whatever is going on with my life that suddenly I look at the calendar and thin “Hey, it is already Valentine’s day next week!?” Christmas is very different and I normally start preparing and thinking of friend’s and family’s presents in November, but I get so much into it that I end up thinking “I should make a card!… oh, wait, that would leave me ten days to design it, post it up and… forget about it” so I never post anything for sale.

However, this year I have been herded over and again through the months with the ideas of making kits and submitting our seasonal work two months before the holiday itself. The Christmas kit for this year is just lovely and the palette very calm and relaxing (just wait until you see it!) and I decided to work on my Christmas cards inspired by it. So here it is! The Joyful Penguins are ready to say Merry Christmas!

Joyful penguins for this seasons!

This is available through DeviantArt, Zazzle, and in a few days there will be available as postcards through me.





Digistamps of my art in Printabubble

27 10 2012

So, remember that I was talking about something I was waiting for to go through? Well, it did! I am licensing my work to Printabubble, a digital stamp company.

“But, what is a digistamp?” you may ask. That is a good question. A digistamp is a digital outline of artwork that can be used to “stamp” an image in a piece of paper (i.e. print it) for personal use. You can then use this for coloring pages, making postcards, scrapbooking, etc. You can choose to paint it digitally or traditionally, doing a collage, adding glitter, special effects, etc. Your imagination is the limit.

Chamaness (c) Constanza Ehrenhaus

So you know, my work is being offered for you to play with it! Go by, have fun, and please show me your end product! I always like to see different interpretations on the same topic!





Personal Challenge: Complementary palette.

22 10 2012

My return to drawing is marked by a piece drawn for the Enchanted Visions‘ October theme: Spooky Eyes. This is the first piece I made for the deadline, yay! :D

I wanted to keep exploring my Personal Challenge list, and having recently seen a post by Dan dos Santos, and having always been very inspired by the great palettes that Chris Malidore uses, I decided to go for a complementary color scheme. I have to admit that blue/orange is a duo that works really well, and though it’s been overdone, since the theme was centered around eyes and I am mostly into real flesh colored beings, I went for it.

Spooky Eyes (c) Constanza Ehrenhaus 2012

For this project I wanted the eyes to pop a lot, so I used not only the complementary blue to all that orange in the skin and hair, but I also played with the lightness and saturation to make the eyes the focal point, by using a very light blue for the eyes and darker, less saturated oranges for the rest of the image, it is easy to focus on the eyes. One more thing I tried to play with in this image was to use a more textured skin, I’ve been trying to improve my skin tones, which I think I am doing (though there is a long way to go still!) but so fat I’ve never really been happy with the textures of my skin. This time it looks a little better. I think there is a lot to improve and I hope to some day find the delicate balance between subtlety and texture. As my first try with this technique, I guess I’ll have to settle in order not to neglect my other projects.

I might actually revisit the complementary colors topic. I actually envisioned something more eye catching like this, but Chris’s mastery of values is far beyond mine for right now ;)

So, how my list is looking like?

Palettes:
Monochrome
Limited (Circe)
Complementary (Spooky Eyes)
Primary
Secondary (Enchanted Visions)
Tertiary
Split complementary
Analogous
Multicolor
Warm
Cold

Composition:
Pyramidal
Spiral
Big group of people
Architecture
one point perspective
two points perspective





What is up to in my art life right now.

16 10 2012

… Or, what direction I am taking.

I actually think about this quite a bit, where am I going with my art and what I am doing to be where I want to be in the future?

I came to US in 2003 as a grad student and my contract with the Immigration Service was that I was not allowed to work except for the university. I wanted to get my art career started but I really did not want to get in trouble, so I waited until I graduated in 2008 to start doing art commercially. In the mean time, I just tried to learn as much as possible. In May 2008 I graduated and soon after that I started looking for commissions, at the beginning they were small, and even when I knew it is not the best to sell your work for cheap I did not feel I had the level I needed to charge what my friends were charging. This has changed over the years as I am more confident in my skills and I actually have improved a lot.  For a couple of years things worked out really nice, and I was happy to see an increase in pricing and costumer traffic, I did not need to be so active searching for the commissions, because people were actually coming to me! Which left me more time for the artwork itself.

My main job right now. This image was created for the Fortnight challenge at the Sweet Sketch Club: http://sweetsketch.blogspot.com/

But then in May 2011 I had my first child, and I decided to be a stay at home mom. Let me make the distinction between “work at home mom” and “stay at home mom”. I have made my main job to take care of and educate my boy, which means that everything else is secondary, this has put art in the back burner. Now, it does not mean that I am not doing art anymore, it means that it has turned into a “When the baby is sleeping or playing alone” deal, which makes time for art much more limited.

I still am open for commissions, but I only consider those that I can do with a relaxed time frame, and I am not actively looking for them. I do not commit myself to tight deadlines because I don’t know if I can reach them and I consider professionalism a very high priority in my work. In the mean time I am doing what I did almost ten years ago: learn as much as I can. I learn different now, I work different now, and I am trying to experiment a lot with my work, aiming for specific goals in palette and compositions.

Also, my priority right now is to keep a strong presence in the art world and even increase it as much as possible. I am working on this blog, started an art Facebook page, I am participating in a couple of collective blogs, and I am licensing my work to PSP Tubes Stop, and hopefully soon another company. Except this blog, all this started this year, as I decided that if I am not going to be doing commissions I better do something to keep mine and other people’s mind engaged with my work. I think the worse you can do in this highly networking era is just to vanish.

February next year everything may change, since a new baby will arrive to our lives, but I will reevaluate then what to do and how to face it. For right now, I am going to keep up at solidifying my work as much as possible.








Follow

Get every new post delivered to your Inbox.

Join 683 other followers